First, it entrenches animation as a coming cinematic form – expanding beyond studios such as the child-friendly Pixar and the ethereal output of Studio Ghibli. The movie is also rewriting the script in Hollywood. One of the film’s themes, spread over two hours of dazzling artwork, is how identity is a constant negotiation of race, class, nationality and gender. The main character is African‑Latino Spider-Man, Miles Morales Gwen Stacy’s Spidey endorses trans rights there’s an Indian Spider‑Man with an anti‑colonial outlook living in a Mumbai‑Manhattan hybrid and a pregnant biker Spider‑Woman. The animated movie, a sequel to 2018’s Oscar‑winning Into the Spider‑Verse, bounces around different universes meeting socially aware, racially diverse superheroes. Such sentiment has been vanquished by the success of Spider-Man: Across the Spider‑Verse, which is currently the biggest film in the US, grossing more than half a billion dollars worldwide in a month. “Go woke, go broke!” encapsulates the schadenfreude that rightwing culture warriors express when art forms that embrace progressive ideals fail commercially.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |